After being asked many times exactly how we come up with our characters, I took advantage of a presentation skills course at work to put together a potted introduction to the topic. So, I present to you in full color stretch-o-vision:
It’s been 10 years since Jonathan and I first collaborated on Faster Than Light, so in honour of Jonathan’s upcoming birthday I’ve gone back to the original crew and drawn them in the style I’d use today…
L-R: Barrington, Maru, Jameson, Yoko and friend
Happy birthday Jonathan!
It’s a bit early, but there you go… :^P
Being a big Coen Brothers fan, I saw No Country for Old Men last weekend. We headed over to the Phoenix, a great little two-screen joint in Jericho (as in the Oxford suburb, not the ancient West Bank city) partly to escape the horrific doldrums that are the twin Odeon Cinemas in Oxford’s town centre, but mostly to take advantage of Jericho’s great pubs. Next time you’re in Oxford, visit the Gardener’s Arms for the world’s greatest I-can’t-believe-it’s-a-veggie-burger.
Anyway, the film was/is fantastic – another Coen triumph which sits a lot closer to Fargo in tone and style than anything else in the brothers’ oevre (I cannot believe I just used that word). It’s an adaptation of a novel by Cormac McCarthy which I’ve not read, but may just have to seek out having seen the film. But the thing that struck me most about it was the sound of wind that permeated each scene in testament to the film’s desolate Southern Texas setting.
… I stumbled across an interesting little video whilst wandering the ‘net today, and thought – what’s the point of having a blog if I don’t write random things in it about stuff like this?
The “this” in question is a video released to promote a recent BBC Timewatch documentary. 3 graphic designers on a tiny BBC budget managed to recreate the Omaha beach landing almost as well as Spielberg, with approximately 996 less actors: